not much is known about manchester based producer belly, his online profile merely states live artist & vocalist from the uk. what we do know is that he releases records on his own imprint belly dance uk and that the 3rd instalment in this series (produced by la s seth cobblepot) is yet again hard hitting and dark. following on from the previous 2 records, featuring timothy j fairplay & headman respectively, he has invited 2 more underground powerhouses, brassica & thinnen, to contribute their takes on his new ep simply entitled water

the energy and versatility were used to when reinier zonneveld takes the decks is immediately evident in his latest ep. opening preceedings with sharp bust, a straight and to the point trancy bassline leads the way. decked by mechanic stabs and hi-hats, the groove is simply hypnotic and relentless. rushchamber, on the other hand, bears a subversive groove, with a minimal and dark bassline. glitchy cut up vocals give an eerie feel, as the whole atmosphere becomes more and more immersive by the way of multi-layered drums. the final offering, flatchat is anything but flat. its intricate groove shares the dark and immersive territory of the previous track, while another set of cut up vocals draw instant attention. a descending lead padded with reverb and stabby synths, the last track rounds up the release, ending on a grave and intense note.

lisbons event promotor frenzy, kicks off 2016 with its first release, and its a massive one. portuguese house don pedro goya (classic music company, bloop, overall, music for freaks) delivers a functional deep dancefloor-ish theme - flux. rolling bassline, heavy mental atmosphere and four on the floor drums, turn this record into a very versatile and reliable one. on the b-side, the remix. archie hamilton simply did what he does best. vinyl only

releasing an album is a daunting task, especially in dance music. you got to keep it fresh and exciting from the very beginning until the last track, not sticking to one tempo, make tracks that work both at home and in the club and ultimately tell a story with your music. alexander lay-far knows a thing or two about this, having his debut album so many ways out back in 2013. the thing with lay-far and a big reason why we ve always had a soft spot for him is his way of incorporating a certain magic in the tracks that leaves you on an uplifting and optimistic note. therefore we re really excited to release his second album, how i communicate, on local talk. how i communicate is a two part vinyl release which we hope will come as a fresh breeze in these days where so much dance music simply lacks the actual musical aspect or the organic approach. like most producers and djs that are influenced by soul, disco, jazz and the blacker side of electronic dance music its all about the actual tune . listening (or dancing) through this album we hope you ll find your special tune (or tunes!) that hopefully will bring joy to your ears. to his aid lay-far has invited an impressive cast of collaborators such as ashley beedle & darren morris, restless soul, sean mccabe & mark de clive-lowe to give the tracks that little extra something under the watchful eye of lay-far himself. or as lay-far describes it himself the album is about the music as the universal language, the ultimate means of communication, bringing people of the world together. part 2 will be released in the new year...

over a year since their last release, birdsmakingmachine come back hitting hard with a diverse three-track ep ranging from deep to minimal house. the title track “deaf crows” intelligently layers delayed snares and elaborate hihats into subtle analogue pads and melodies, resulting in a sophisticated, yet dj-friendly composition. at over 10min long, it’s an endless rotation of industrial rawness that manages to melt into the smooth and rich textures for which the birds are known. “black midget”, on the flip, goes into darker depths, with an almost broken 4/4 beat underlying overly swinging rhythmic arrangements and hypnotic synth lines that reminisce some of the earlier bmm material. finishing off the record is the simply titled “primos”, offering a more minimalistic approach with its intricate arrangement of quirky arpeggiating melodies and playfully juggling hihats, closing off the ep in the neatest birdsmakingmachine fashion.

bubu, da beatboxologist,jizzy, tagi, the funk spirit, the hip-hop mahatma, the mic buddah! behind all these pseudonyms lies just one man: sly.

deconstructed ebm from the nous affiliate spoiled drama kicks off the new science fiction compilation - 10 tracks of crazed machine grooves further diversifying the science fiction’s exploration into synthetics. the opener driven simply by an obnoxiously saturated digital drum machine and a mechanical body music bass loop simultaneously hints to late 80s darkside chicago roots with hard flanged hi-hats and a detuned string machin

after the alma ep’ by shanti celeste, secretsundaze’ s 19th release comes from another uk home grown favorite wbeeza. beeza is a firm part of the secretsundaze family and although it’s his first release on the label, he has been a regular fixture at the parties now for 5 or 6 years playing at both the london events and touring internationally with giles and james as a live act, as well touring extensively by himself. we hope his music needs no introduction - his sound is quite simply fresh, an amalgamation of so many things from house, techno, jazz, hip hop to more uk leaning garage vibes.

phonk d, sascha ciminiera and t-rax joined forces again: they have created some 80s flavoured tracks down the line and put them in the mix. the outcome is just pure synth-sex on airwaves, simply purely airotic. what theyve also found is their old idol, legendary dj duke of power music, sex mania. he organised an absolutely insane and fabulous remix - ready to massage your feet. drrrop it!

cosmic club 16 in the house, and for this one skylax have delved deep into the mystic universe of the ever enigmatic violence fm with a four track ep quite simply out of this dimension… etoiles ep is an inconceivable work of art from violence fm that will leave listeners stargazing for more, not to mention an extraterrestrial remix of chez damier s el fin esta cerca on the flip.title track etoile does the damage on the a side, with a vocal (a1) & instrumental (a2). lofty kick drums and enchanting synths bring this classic track right up to date, with the heavenly vocal harmonised seamlessly on top for a truly otherworldly experience - this is a must for anyone looking to get celestial with their dj sets. we can already see early morning dance floors in the future raising their hands to these killer joints

juan rico, a.k.a. reeko and a handful of other aliases, is a consistent and reliable ambassador of a spanish techno scene that has brought us everything from oscar mulero to tadeo. in his architectural guise (which is also the name of his personal releasing imprint), rico has developed a penchant for perfectly interlocking sonic elements and for a structural sensibility that delivers on the promises of advanced engineering implied by his artists pseudonym. the first result of his new alliance with the wolfskuil label is a full lp that dispenses with the formalities of introducing listeners to the artist, and simply dives straight in to depths of his active mind.

after contributing a remix for our label in 2011 daniel stefanik now returns to raum with his first solo single under his new moniker dlsk.
the a side * sense of doubt* is a bit more stripped down and melodic, as the b side and also the title track of this release * subterraneans* is more of a jazzy house groove, that simply doesn’t stop rolling and keeps the tension with subtle variations and other nice little gimmicks. as always we truly hope that you enjoy these tracks as much as we do and we are happy to have daniel back on board as for sure he can be called one of germanys top notch producers.

van czar, onofrio conte and cysxe teaming up and they deliver the brilliant 4-tracker remission ep . each artist drops his signature audio flavor in this package and the final result is simply delicious, ready to satisfy every hungry clubber!

and the true secret of their value is the sobriety, the austerity, of the living space they inhabit. it means that they do not simply occupy, visibly, the space they belong in, but have the scope to perform a variety of unforeseen functions which enables them constantly to surprise us anew. this is what makes them precious and elevates them above the level of a common object.« walter benjamin, spain 1932 grischa lichtenbergers new release »spielraum« is the first of three vinyl eps to thematically accompany the 2-part album »la demeure, il y a péril en la demeure«. on »spielraum«, lichtenberger presents the elements introduced on the preceding album in a different context, but without defining them too precisely and breaking them down to only one dimension.

eddie c come back to endless flight with 2 brand new tracks and excellent move d remix! title track on a side is one of the most danceable track from eddie c. it s simply floor killer. on b side, flying blue is alternative disco stuff, it s typical eddie c sound. move d remix of la palette is stripped version of original brazilian house track. its more dj tool for the fan of work shop or german deep house.

a1. atmospheric dub is simply a kerri chandler classic. in this moment we task jerome sydenham with editing duties to refresh this rare groove. a2.tyree cooper, who needs no introduction, engages in a live jam session with jerome sydenham for this universal rhythm result. a testament to spontaneity, groove and soul. spin and flow. b1. entering the diabolical world of house disco not disco couldn’t be better exemplified in this searing piece with colluding talents eric d. clark and thomas schaben with additional vocals from anita davis and david boswell. devine underground dance music. b2. kerri chandlers remake of the pal joey classic dance infused with a jerome sydenham edit just make this classic complete and decadent for all sides of the house spectrum.

as for the 3rd release on the label, 9300 records called in fellow countryman walrus, the three original tracks on his ep take you to the left-field side of the house music spectrum while the remix of the title track, modeled by dj october, is a robust techno track that will simply hit you in the face.limited to 300 hand stamped and numbered copies !

manchester s rainy city music returns with its first vinyl release after seven years! this brand new 12- single by dele sosimi, the ex-keyboard player and arranger of egypt 80, the band of african music legend fela kuti. the dele sosimi afrobeat orchestra and their song too much information get the remix treatment by berlin based afro electronic artist raoul k and new york s haitian artist jephte guillaume. both remix artists are hugely respected in their underground scenes. their unique music styles are championed by leading djs dixon and joe claussell respectively. the raoul k transformation mix is a simply stunning, afro-electronic groove and is destined to gain crossover success and appeal. jephte provides the calm yet subtle new york warmth. think of body & soul on a sunday afternoon and a spiritual experience.

it is with great pleasure we welcome to our label, the hero of the parisian underground scene, and circoloco resident, dj w!ld!
as we enter into our 3rd year of running pathway traxx, we wanted to raise the bar both musically and artistically and this ep certainly delivers that. dj w!ld has always been a personal favorite of ours we were over the moon when he signed with us. fresh of the back of his 2014 album, when you feel me on his own the w label, this guy is arguably in the form of his life! with an expansive discography backing up his formidable djing skills, the accolades he is receiving now are simply long-overdue recognition for one of france s long-serving underground house heroes.

through the spirit realm is refracteds first lp to date, and it comes canadas excellent silent season, a home to rasmus hedlund, quantec, and asc, among others. enter the jungle quickly gives a picture of what s to come thanks to the track s abstract blend of animal sounds, a myriad of noises which is swallowed up the warm and dubby swings of the jungle is thick, a donato dozzy kinda lick. the whole lp follows a similar string of thought, one that binds stripped back techno together with deep ambience and slow moving plates of drone, the ritual begins is simply hypnotic and we could keep it on for hours on loop. its tribalism at its most cutting-edge, and an altogether fantastic debut performance from this growing techno personality.

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

vactrol park is an honest outpouring of thematic obsession, a celebration of championed studio components and the mastery of their nuance, an avant garde collaboration between kyle martin (land of light, spectral empire) and guido zen (gamers in exile, brain machine). simply entitled i (the first of a 2 part series), this debut ep opens the door to a world of ebb and flow, layers of oscillation falling in and out of sync, keeping us on the brink of vertigo and, as cliché as it may sound, we find solace in its chaos. this homogeneous release plays with the notions of systems as beautifully symbolized mario hugo s capsule of cardiologyyet another visually arresting module in the esp institute catalogue. some music is made for drugs, some is made on drugs, these tracks simply are drugs.

to celebrate our 10th vinyl release, we welcome on board the young and talented parisian flabaire, who is one of the man behind d-ko records and member of secret value orchestra. athmospheric and dreamy 808 style from flabaire, simply beautiful driving vibe on * about myself*, slower but sexy voyage that is * morning lights* , and to complete the ep a little twist to a more dance floor and funky tune: * kemia fever*.

as summer slowly fades, michael clifford recalls those calming, intense moments, that merge the good feeling of inner warmth with deep sound. today, deep often gets misused as a cheap tag for music, not deep at all. clifford really takes you on a journey towards your inner core. garnered in warm, low slung and minimalistically dubby beats, and sparse yet lofty snyths, his deepology ep needs no prayers for deepness. it simply is the mantra of depth. lost in the groove, based in the stealth of bass, coloured in shades of electronic yet organically warm tones.

brainwash is back. after an excellent acceptance daybreak the time has come for miniature, another ep of one of the leading techno producers in poland - larix. edition consists 4 tracks (including one bonus, released earlier on the limited compilation leisure system). from start to finish the material is notable for characteristic groove - simply techno.

it is the fourth release from the berlin based imprint wet cellar, simply titled wet 004/v.a.. it is a example of what the label is about, simply producing a techno sound and frame of mind in regards to underground electronic dance music. the release brings two artists already known in previous releases marco effe and salvo castelli for a-side, while the b-side features a new artist, the young talent that is, mattia trani label boss of pushmaster discs.

shadeleaf drop their eighth release in what is now established as essential catalogue ! joseph caserta (now known simply as caserta) is a multifaceted dj & producer based out of boston, massachusetts, who has worked with razor n tape, soul clap records, midnight riot, bbe, and kon s star time imprint. ricky is a little slice of traditional est coast, soundsystem house - a simplistic but textured workout aimed squarely at the floor, with it s lascivious narration and repetitive hook the jeep mix harks back to those 90 s b2 beats mixes on the big apple s prodigious hip hop output... digging royalty and a bona-fide master of the art of the re-edit kon handles the first of the b side re-rubs stripping things back a little and letting the bump and hustle ride to an altogether more hypnotising and atmospheric destination finally label boss that man monkz adds more than a little sheffield grit to proceedings, amping the rhythm section and laying out a deadly bass line... another shadeleaf sureshot !

here is what being with your back to a psychedelic wall and deciding you got to go diy makes you do. raw, crisp, and simply honest 115 bpm organ techno with a distorted soul. two takes of it featuring a left-handed chord intro so surreal the exposition will softly draw you in before you realise you just got caught in drum loop heaven. this is a white label release with music played from the heart and live recorded straight to l/r on an old used cassette tape. mastered and cut by matt & barry at alchemy in london. the record comes in a black cover with a handwritten and burgundy riso printed 120g paper inlay.

chmara is an artist better known for the duet chmara winter, which created a number of releases for pets recordings. currently he is producing by himself and joining forces with otake records. *spring* has its unique position in the catalog of young label from warsaw. the vinyl is original, surprising, flourishing and simply beautiful. some herberts or dj koze inspirations can be felt, however, a solid character of these tracks gives a clear understanding that chmara has his unrepeatable unique style that can not be faked. lyrics, wonderful chmaras timbre plus accompanying female vocals give an image of surreal order. it is a beautiful, harmonious hallucination caused by nothing but music. the record also contains two remixes from slg and piotr bejnar - the owner of otake records.

borrowed music return to wax see s a release that very nearly didn t see the light of day. between the years of 1995-99, toka project were writing tracks at diy s studio and releasing ep s with their label, s4g. these tracks were stored on dat tape (remember) and left for release at a later date. when the toka boys moved into their own place the dats were misplaced and presumed lost for good. unknown to anyone at the time, the tracks had simply been placed on a hard drive and forgotten about, until now. so, borrowed is very proud to present a slice of unreleased 90s house just the way we like it

featured: four bona fide artists, accomplished and historically rooted deeply in the underground. drivetrain (detroit, usa) – take your time…a grove which the dance floor simply cannot deny. derrick thompson unleashes a bewitching bass line atop a relentlessly galvanizing drum track. flavorful female vocal samples raise the energy to maximum capacity. black jack (aberdeen, scotland) – “the earth grid”…moving just a little deeper, the melody of rich chords and pads guide the constant pulsating bass with effeminate whispers chanting through the occasional twisting synth refrain. fbk (columbus, usa) – “his brief moment of clarity”…boosting the tempo just a tad, a herculean debut production which intelligently punches and stabs dynamic waves of rhythmic sound patterns of perpetual electronic motion. rob belleville (soest, netherlands) – brightened horizon…a first offering on soiree records, spontaneously spotlighting late night ambiance. percussions swing to the bounce of the bass riff as the keyboards chime the infectious theme. -rooted and grounded deep-

spencer parker & rekids are back together at last, with the work them records boss returning to the label with his first ep of original material since 2011’s ‘i think i love you’. ‘no more silly club songs vol.1’ finds parker at his playful best, melding together all the elements that give his dj sets such boundless energy. all four tracks are made purely for where spencer parker does his best work: the dancefloor. * this ep is simply a collection of tracks i made around 18 months ago for my own sets. no concept, no bullshit, just some tracks to work the club.* - spencer parker

van bonn returns to his label van bonn records after releases on labels like traum, trapez and telrae. van bonn s travel to the magic rain forests and lonely beaches of the island borneo inspired him to compose music that takes you by the hand and leads you into the inner beauty of borneo. his new ep delivers two epic tunes with a total playtime of 24 minutes. the original mix is dominated by massive grooves, carefully layered sounds & field recordings from borneo. van bonn takes his time to let the tension rise slowly to finally erupt in a momentum that may remind the listener of krautrock and post-rock. the borneo dub adds a whole new level of deepness to the original track and formulates an atmosphere that can simply be described as fernweh. wether you listen to borneo in a club, on your stereo or with headphones it is always pure and true techno music for your heart, body and soul.

it is no exaggeration to say that ultrastretch has accumulated an array of outstanding releases and artists since its creation in 2011. one knows that being as renown a representative of the underground music scene as sammy dee is, he can easily sign music from any established artist he would like, the so called ‘big names’, however, when we look at the past seven releases on ultrastretch, the agenda here seems to be another. what has become an apparent and admirable feature of this label/platform and of sammy dee himself is his clear support for new music from young and yet to be discovered talents. it is on that note that ultrastretch 08 brings you romanian artist crihan. hailing from a small town close to cluj, alin crihan moved to bucharest in 2009 to be more in touch with the underground scene and music in the capital as it poses more opportunities for him to grow and develop. from dj’ing in the most various clubs in his home country, his first steps into western europe as a dj came earlier last year at no less than the legendary robert johnson club alongside petre inspirescu in frankfurt. producing under his real name for the past four years, crihan’s release for ultrastretch brings two tracks, setting the listener into two very distinctive paths. the a side, * uelden* is a dance floor oriented track. the first words to come to mind are groove and rhythm, giving the track a somewhat funky feeling overall. the elements have been crafted carefully and therefore appropriately placed just where and when you need them. by simply starting the track with a bass line and shuffling hihats he slowly develops to a journey that not onlyventures further into groove and rhythm but also in mind grabbing harmonies with deep/airy sounding pads giving it a comforting sense of beauty and obscurity. the b side is called a doua dimensiune, literally translated from romanian it means the second dimension. doing justice to the title the track does generate the feeling of being in another dimension. it is a very deep affair into mind-altering soundscapes, very atmospheric and at times dark and obscure. attention to detail is apparent judging by the overlayering of elements featured in this track. a constant rolling base formed of water tapping ambient sounds give way to harmonies made up of strings and random noises on top.

with -me and i- and -don t make me- he dropped 2 nice mellow - moody, percussive tracks that have a light deep dark touch - perfect for hot summer nights m.in takes the original track and simply doesn t gives a fuck if its 30° in the shade - his rmx is a highhat driven oldschool peaktime track that makes you sweat your ass off on the dancefloor. own.way takes a closer look an the original textures and brings his remix in a dry, more groovy package

motor city. the home of hi-tek soul. or simply, the origin. just a few of the names with which to descibe a city in the heart of america that has the power to captivate ones imagination. in the early 20th century it revolutionized transport, ushered in an age of previously unknown mobility and became the automotive capital of the world. during the 60s it gave us motown, one of the most influential r&b and soul record labels to ever exist. and, before the turn of the millennium, it would bring forth another musical revolution: the one called techno music. to abstract division, the city of detroit and its artists are a major source of inspiration. as such, they decided their newest metropolis ep was to be an hommage, a means of giving back. this special package includes an original track that keeps close to the spirit of melodic, rhythmic, minimalism detroit is known for. it also features three very special remixes by close friends oscar mulero - under his trolley route alias (which he hasnt released music under since 2010) - function, who ups the darker ante and marcel fengler who infuses it with his trademark berlin funk.

for the past few years, young denmark vessey has been releasing a series of albums, both as a leader of carious groups and as a sideman in various others, which definitely mark him as one of the most exciting young players in music. vessey’s last album prior to this (2013’s cult classic) employed scud one for the rhythm section. vessey, in his own playing suggest that he may be forging a link between the new mainstream and prior innovations. it is to vessey’s credit that this album achieves a surprising degree of unity. there is little of the haphazard feeling that too often arrends blowing sessions by pick-up bands. it would be easier to mistake this for a group which works regularly. part of that is simply because vessey is a part of the new mainstream, the part that is seeking beyond the accepted common language to find ways of extending it. the rest is because of vessey’s unusual talent.

dj support from: dave clarke, ben sims, blawan, perc, randomer, and, clouds, jerome hill, joefarr, kr!z, sunil sharpe, j. tijn, manni dee...
following the massive double pack compilation ‘eight wigglin ways to die’, earwiggle return with the debut of a fresh artist, faetch. although a new name on the scene, faetch s advanced take on harder edged techno is far from the work of a rookie it would seem. four tearing club tracks here that contain all the ingredients needed to move the party into another dimension: firing rhythms, strange sampling, manic synth programming, unique sound design... we could keep going. faetch 1 is simply a corker and strong addition to the earwiggle catalogue.

yes, so we re finally here, the 100th release of gamm enterprises ! since the very first release with red astaire s now classic follow me gamm have remixed, reworked and edited almost every style under the black music banner. gamm have and will always aim to deliver dj friendly black dance music regardless of style. gamm simply bring out that little extra in your favourite tunes. so for our 100th anniversary release we thought we really needed to bring out the big guns. what could be better than an ep where the mighty the reflex and up and coming remix star moplen came together and re-work the greatest artist of al time, michael jackson! sounds pretty good right? the reflex, moplen and mj...what a trio! well, there s not much more to say really except that if you like disco, boogie and mj this is the biggest musical home run of all time. lets boogie...gamm style!

this is simply a beautiful song and amazing collaboration between eagles & butterflies (innervisions, get physical) and super talented singer/songwriter j.u.d.g.e. its one of those rare standout tracks you might come to love and treasure for the rest of your life. no more words necessary, hit play and let the music do the talking.

its time to welcome another member to the family. let s all give a round of applause for naphta. with stellar releases on studio barnhus (palm trees love ep) & transatlantyk (solar empire ep) and getting rep from such fine djs and producers as jimpster, eddie c, justin van der volgen, soft rocks, zambon, mudd (claremont 56) and jacques renault - we simply had to sign this wonderful artist, dj and rbma graduate to omena. the debut release, baltic rim, will be out at the end of april and contains two tracks, kaiju stomp & striker eureka. remixes by polish super stars the phantom & jaromir aka ptaki and omena label boss tooli. if you ever wanted a record that combines exotic rhythms with your favourite sunset chords, dervish basslines and snake charming melodies then this release is for you. as always, the very talented ivo kiusalaas has provided the label art

introducing a brand new label from berlin-based greek, john dimas. elephant moon is a platform conceived by john to simply collect and release music from his talented group of friends. having built up a strong reputation thanks to his excellent back catalogue of productions on labels such as one records and la vie en rose, he decided that now is the time to dedicate his deep knowledge of house and techno to running a label of his own.

our first release demonstrates the versatility and creativity of 4 talented and diverse artists. brendon moeller aka echologist, morgan tomas, octave and guise. through the artists interpretations of their combined sounds, we experience something different, yet familiar with the output. instead of offering our opinions on the finished product, we simply share with you the music and let you journey for yourselves.

the legendary clarence reid has long been a towering figure over black music for almost 50 years! even if you re not instantly familiar with his name you have %100 heard some of the mans music... hes produced, played for, written for & performed with endless amounts of legendary artists in his career, he is simply put, a legend.

available on vinyl (limited to 200 copies, no repress). release number eight on telefonplan is an all family affair. joining mad mats & toolis team of artists is swedish producer wiz andreas saag. mr saag has taken the leap from local talk and now makes his debut on telefonplan. opening track justice is dark, deep and with a sumptuous bass to sink your teeth into. it is rough and punchy with a clever vocal sample that almost works like a chant. justice comes in two versions, for those of you who like your song instrumental we have made sure your wish is granted too, it still got enough intensity about it without losing the pulsating heaviness. on the flipside, call of yacuma could be described as a grittier and stripped down version of andreas previous local talk track in the box. it is pure simplicity and groove makes it simply irresistible. listening to these tracks it is clear mr saag has been influenced by living in berlin these past years. both justice and call of yacuma wouldnt sound out of place in a dark club with a big soundsystem late at night. just make sure you get past the bouncer while entering the club.

4th and final volume in the analog grooves vinyl (and analog) only serie, a joint venture between spanish producer eduardo de la calle & swiss mental groove records focusing on futuristic / cosmic compositions for both clubbing and listening enjoyment, simply classic and timeless music.

the *foxy lady* contains three tracks each with the unique dramaturgy jichael mackson is well known for, while adding a new almost sexy/funky freshness to his signature sound. apart from sounding beautiful and being undeniably serious bombs for any dancefloor, these tracks are simply different. the foxy lady ep builds a bridge to jichael macksons early releases and one thing is for sure, this is a record that will stay in our bags for a long time. jichael macksons foxy lady ep on teledub. grab your copy.

33-10-3402, also known as serbian-born artist/producer nenad markovic, returns to the esp institute for the fourth and final release in his opium den and whorehouse inspired mecanica series. metamorfoze is a psychedelic melting pot which can best be described as a train commute to a distant planet—our senses confronted left, right and center by unfamiliarities. its counterpart on side b entitled t bov boasts a pseudo tribal rhythm, yet its post-apocalyptic soundscaping takes us anywhere but the expected. at this point nenad has managed to whirl our imagination into a state of confusion so deep that were simply at a loss for words. its in these moments where we at the esp institute are most proud, with the birth of something absolutely new. bravo nenad, bravo.

atjazz on local talk! pretty good combo right? well, just wait until you hear fox tooth and we re quite sure you ll agree with us that this is something above normal rank. martin iveson aka atjazz gave us a release that will work just as well on big sound systems as well as in those dark house basements. the original version is an electronic house jam that s equipped with all necessary tools in order to peak in the main room but without all the played out tech-house schemes. it s uplifting yet dark and carves a very personal groove - yum ! oh, don t miss the killer break down...big! the second version comes in the form of his inspired atjazz galaxy aart dub and this to be fair is more of a remix than a dub. here we step straight down to the darkness for a warming deep house cut that sounds like something from the prescription archives but still retaining the trademark atjazz sound. this is simply, sophisticated house music for those who like things real.